Showing posts with label pen and paper. Show all posts
Showing posts with label pen and paper. Show all posts

Sunday, July 28, 2013

Rules to Play By: Tapestries

The mechanics of this game are intentionally designed to remain robust while attempting a level of simplicity that new players can pick up. Most importantly, the game is focused on storytelling so the mechanics support, rather then provide a distraction from the story.

This post will discuss the three key controlling factors of the game's dice rules. Each named for the concept of creating a fabric, or tapestry of a story or plot. They help to decide the luck factor in fate, instead of leaving the judgement entirely up to the Dreamweaver.

Weaving -

The first number describes the process or skill in weaving threads. The number represents knowledge, experience, innate ability and influence from other parties on a character's capability. This number is determined by a character's stat, and the skill rank associated with the task they are trying to complete, plus a possible bonus from a Dreamcatcher, or Contract. Weaving is generally static for each skill, only rarely featuring temporary modifiers. The player may determine this number on their player sheet while not in play, giving them opportunity to not need to do math on the fly.

What weaving does is determine how many D10s are thrown when attempting the task, and the skill associated controls that weaving. Skills are designed to be flexible and accommodate the creativity of players, and at the same time it is highly discouraged for players to just use a skill mechanically. The actions should be decided based on the story, and the appropriate skill chosen. However, the skill list is descriptive, covering exact mechanics for many different ways of using the skill to give guidelines to both players and Dreamweavers on how to interpret the actions for each skill.

Weaving is the most static of each of the three base mechanics, and is the one character creation and the player has the most control of. The numbers may range from as low as 1 to as high as 15, meaning quite a few dice may be thrown during skill use.


Fraying -

The fraying number represents the number at which consequences may become part of an action. Any dice that rolls that matches the Fraying number or is lower than it counts as a fray in a roll.  Frays can be problematic to any weave, but a skilled weaver can fix them without leaving permanent damage, though the few that do stick become a permanent part of the fabric.  

All actions baseline start off with a Fraying of 2, though some traits may lower Fraying, and many flaws raise it. Umbral Effects, nasty environments of the penumbra often raise fraying or react directly frays that occur within them. Fraying is significantly more reactive than Weaving, altering throughout the course of an adventure for even the same skill.

Frays themselves don't determine success or failure of a weave, rather they are nasty side effects that carry on if not properly dealt with. Any dice that is not a fray, may be used to cancel a fray, so a character has control over eliminating them. The risk of a fray being part of a completed action is much lower under normal conditions, and far higher in nightmarish places and places of high stress.

When an action completes with a fray, a frayed condition may be placed on the character, or other unintended consequences of the action may happen. This is to say, someone may still strike with a weapon, but break their bone in the process of doing so. An unintended consequence while still succeeding at the primary action, as the two concepts are independent. Sometimes it might be better to fail an action outright than suffer a more lasting condition.

Below is an example of a more complex Frayed Condition, as currently described in the book. Not all frayed conditions are progressive or increasing, but many are problematic and hard to ignore, and they are not simple to remove.


Corruption -It might be slow, or it might be fast, but something is corrupting deep into the character’s psyche, affecting their moral decisions and perhaps even their physical shape.  Long term exposure is more progressively effective and becomes more difficult to remove as the character begins to desire its effect.  For each long rest with this effect in place, it requires an increasing number of successes to remove the effect.  Story-wise it should suppress the character’s conscience if they have one, and push them away from the party’s intent.  Mechanically, it adds a Stitch to checks to complete tasks that the party is trying to succeed at.  For each long rest it adds +1 to the Stitch, up to +5, after which the corruption has fully taken effect and cannot be removed, and the character no longer wishes to work with the party, and may even become an antagonist.

Stitch - 

The stitch represents the difficulty in completing a stitch on the fabric, and determines success and failure. The number is determined by the Dreamweaver, with guidance from the rulebook for suggestions on determining it. The number ranges from 6 to 10, though it may even go higher in the form of 10x2, 10x3 and so on. What the number means is each dice that hits that number or above counts as a success. 10x2 means the first success requires 2 10s in order to count, while 10x3 requires three 10s.  

Weaving increases the likelihood of rolling a number that counts. Unlike some similar systems, frays do not negate successes on their own, though successes may be spend in order to eliminate frays just like any other, so there may be times where a player voluntarily chooses to fail rather than suffer nasty consequences. This is one core element to player decision making, a simple strategy that they may decide when they roll.

In the end, the stitch number is the Dreamweaver's primary input to the outcome of a roll. Their end of the bargain in determining the fate of a character. Each completed stitch adds up to tell the story of an encounter, and guide the storytelling and descriptions of what happens. Both players and the Dreamweaver are highly encouraged to use these numbers to reinforce how they describe each challenge and the conclusion to the action.


Thursday, July 18, 2013

Introductions Ahead

Draft: 1st
Current Word Count:  134,000

This is first and foremost a tabletop role playing game with dice. Four months now have gone by with near constant progress on the first draft. Lets tally where the book currently stands by breaking down the contents that have been created thus far, and look at where progress will bring it in the future

The Setting - 

The game is set in the near future, ten years after the Veil between Dreamtime and Reality broke, the world has significantly changed. Beyond over 90% population loss, many new things have been discovered, changing the direction of humanity. Old magics were found to be true, new technology has been made even as others have been lost, and yet it is a struggle to survive. Traveling risks encountering dreamtouched Wilds and nightmarish Penumbra, or falling through the Veil into Dreamtime itself.

This setting allows for plenty of flexibility for storytelling, allowing for nearly any theme imaginable, while having consistent mechanics that keep it grounded in reality. And while it is connected to the real world giving it a basis for Dreamweavers (GM in most rulebooks) to work with. Familiar places, the real world, myth, all can be easy starting points to work with, without needing to create and define setting or use pre-generated locations. However, the rulebook contains numerous areas of the world detailed to give clear direction of its shape and even offering plot-hooks and danger for the Dreamweaver.

However, this game is focused heavily on collaborative storytelling, player input is as important to the story as the Dreamweaver's, and the book provides short stories about characters experiencing the setting first hand, as well as clearly defined but extremely flexible skills to provide them with guidelines of how they might progress through the story.

One of the key storytelling and mechanical elements in the game are Contracts, which are signed with Kami, powerful beings of the Dreamtime that we have named as Gods, or Monsters, or even just Ideas over the centuries. They've received perhaps the most polish and attention in the book thus far and provide plenty to work with from a Dreamweaver and player perspective including conflicting motivations and direction. 

The characters may be as diverse as the setting, and the rules allow for customizing characters in both a physical and mental sense to a great degree. There are no races, rather the character builds their character's shape using the traits and flaws, and stats as guidelines. There is also a Shapeshifting mechanic built into the game instead of races, and allowing for coping with the sudden physical changes that can happen when dealing with Dream. The game is skill based and classless, allowing for flexible backgrounds and design and furthermore skills themselves are designed to encourage creativity rather than provide restrictions on what players may do.  


The Mechanics - 

The game's mechanics are designed to supplement storytelling instead of restricting it. They are there to reduce conflict, and support cooperation instead of competition between the Dreamweaver and players. This is critical for creating a fun game and one of the big problems with existing rules. Only a few RPGs out there have done well in integrating the mechanics with the story, and a problem with many other systems out there is the tendency to create a game, instead of a story. The problem is, most games devolve into dungeon crawls with a majority of players, and differing skill levels of players tend to really stand out and create problems. They also often devolve into a competition between the GM and the players, which can lead to occasional hostility, arguments and encourages Rulemongers and Munckins.

This game is a little softer on the mechanics, attempting less rolling, less math than the popular rules on the market, but by no means is it simple. The game is designed around simple yet deep philosophy of modern gaming, the idea of boiling the system down to root strategies and offering a lot of them without trying to overwhelm players with optimization, numbers and math. While this book hasn't been able to avoid it entirely, and does fall into the occasional bit of it with some of the more advanced mechanics, new players and Dreamweaver's shouldn't be bogged down in them and allow them to focus on the art of storytelling and role playing instead of learning systems. This does mean the system and setting focus heavily on that aspect and it may force shy and inexperienced players to have to interact and think in ways they haven't had to in other systems.

It is the hope of the designer that the book provide a focus on the strongest aspects of tabletop games and might bring tabletop gaming to a wider and different audience than Pathfinder. While the marketplace is full of RPG settings, and even systems, this should and will stand out among them for its design focus.  Its about to start alpha playtesting on finishing the first draft, and will receive balancing, revision and initial artwork before it hits Kickstarter. Eventually, the book should be available in both hardcover and digital format.

Completed -

8 Vignettes
31 Contracts
2 Godstones, and 25 Dreamcatchers, 10 Oracle Coins
150 Traits and Flaws
30 Husks
10 Runewords
6 Penumbra
18 Metropolises
4 Pathways
6 Crossroads
Character creation
Character growth
Setting history
Skills thoroughly created, expanded, detailed

To do list
A few more vignettes
Revise & Redesign one Contract
Three dozen more Dreamcatchers
Guidelines for Husk creation.
Two dozen more Husks.
Wild and Dreamtime examples
More Pathway examples.
Mock Play Sessions
Pregenerated characters with stories